Johnny and Associates Case Study- Being Published For the First Time!

Most of you who have read my blog for a while now know that the reason I moved to Japan in the first place was to get my MBA at Doshisha University in their Global MBA program. In order to graduate from the program, writing a thesis is necessary and the topic that I chose was Johnny and Associates.

This was a teaching case on how Johnnys could go international. My initial piece that I wrote was accepted by the school and I graduated in September of 2014. After that, my advisor for the thesis, Tim Craig, put together book of 10 case studies, that included more,  that had to do with the “Cool Japan” initiative, which includes J-pop, Anime, Fashion, Games and more! The book is called “Cool Japan: Case Studies from Japan’s Cultural and Creative Industries” and the chapter that I co-authored, which came from my thesis, is “Johnny & Associates: Japanese Pop Idol Producer Faces a Changing World”. This covers the history of Johnnys, looking into the Idol industry  in Japan and Johnnys business model and explores if Johnnys is able to go abroad or not.

The book is still not published yet, but you can read the online version here. Please feel free to leave comments below! I would love to start a discussion here regarding it.

Why I am a proud “Johnny’s Otaku”

This post is a reaction post to the Otaku post on Tofugu. I know this post mostly covers anime otaku, but I thought it was a good article to describe Otaku culture in general.

A few months back, I was invited out to lunch by a co-worker at the last minute. We mostly talked about happenings in the office and somehow the subject of me going to a concert in Tokyo dome recently came up. I told her “Yes, I am a huge fan of Johnny’s” and I explained how I go to many concerts in the same tour, especially for NEWS. The topic of my MBA thesis also came up from this, which was the business of Johnnys and if/how they could go overseas. I was proud to tell her all of this and at the end she told me “You really do not look like the type that would be into something like Johnny’s”

If you had asked me about this a few years back, I would not have had the same opinion at all. In fact, I used to hate the word “Otaku”, especially “Johnny’s Otaku”. In America, the word “Otaku” comes from being a huge anime fan or loving Japan, and to me it was on the same level as “Weaboo”…. basically “crazy Japan lover”. So, Johnny’s Otaku basically meant “Crazy Johnny’s fan” to me. I don’t dress up for Johnny’s concerts (I prefer to go in regular clothes…. I already stand out being foreign) , I don’t go out to the store and buy the CD’s anymore (once I began my career I began to order the CD’s online because they got to you just as fast as if you went to the store here in Japan and I don’t have to rush out of work), I don’t want to marry any Johnnys guys or even be in a romantic relationship with any of them, and my whole life does not revolve around a concert tour.  What I DO do though is I buy all of NEWS’s CD and DVD releases religiously, I follow all of the information online of all of the Johnnys groups and know basically what is going on in the agency as a whole, I watch the TV shows when I am home, and I go to many different Johnny’s concerts. Even with just simply “Otaku” tacked on as a title, I am not anti-social and I do not just have Johnny’s as my only interest. I also consider myself a part of the fandom, though I support my favorites and the agency as a whole in my own way. I balance my fandom life with my career and my other interests, such as traveling and fashion.

So, why would I still be considered a “Johnny’s Otaku” if I don’t do a lot of the conventional things that I consider being a “Crazy Johnny’s fan?” or “Otaku” in general? Well, I am still involved in the fandom. I might dip my feet in on my own terms, but I still interact with other fans and some of my best friends I have made out of our mutual love for Johnny’s. I also know a lot more information than the conventional person would about the groups and the inter-working of the agency because I am naturally curious about the things that interest me and it was my research/thesis topic for my MBA program. I get told quite a lot “Wow! You know more information about Johnnys than me and I am even Japanese!”. This knowledge of information and interaction in the fandom is what I believe makes me a “Johnny’s Otaku”. You don’t even have to be in the fandom to be an Otaku because fundamentally you can just know a lot of information and still be a fan. There is nothing that says you have to interact with other fans and buy the goods to be an Otaku. In fact, I have heard stories of people actually hiding that they are a Johnny’s fan and do not buy goods or items at all, but still follow everything religiously and go to concerts….They still take possession of what they love and make it into their own.

In the post by Tofugu, they say “Otaku take possession of what they love and make it their own…..this possession is the result of remixing the source material and contributing it to the community” I love Johnny’s and I take possession of that and make it my own by writing an MBA thesis on it, and by choosing what I want to consume. To someone else, this could mean fan fiction, creating cosplay for concerts, making Uchiwas, creating a copy group and more. The post by Tofugu continues on to say, with a quote from Tamaki Saitou“(Otaku are) not just fans, but connoisseurs, critics, and authors themselves. This blurring of the distinction between producer and consumer is another characteristic of the otaku.” I love Johnny’s, but I am also very critical about the agency and it is a reason I chose to research it and made it into my MBA thesis and why I dabble in fandom on my own terms. Everyone has their own way that they do this in and no way is wrong, as long as it is considerate of the unspoken and spoken fan concert manners, as these types of manners all fandoms have.

I suppose to sum it up: To me, being an Otaku means supporting your interest (wether it be anime, video games, boybands etc.) in whatever way suits YOU and YOUR lifestyle best. I am a proud Johnny’s Otaku and I do not see that changing anytime soon.

How To Get Tickets To A Johnny’s Concert As An Overseas Fan

In the past year or so, a lot of people have commented on my post about joining the Johnnys fan club, asking how they could get tickets as a foreign fan and to be honest, I really wasn’t sure how to answer them, as there is no simple way to go about it.

*EDIT OCTOBER 1, 2018*

As a forward to this article, due to the amount of comments I get on this post, I want to emphasize that I am unable to help people to get tickets to Johnny’s concerts personally. I wrote this article as a guide for fans, not as a way to contact me about tickets. I would like you to take this article as a guide on how to find long term success in getting tickets, not as a quick fix. Have fun making long term friendships with other fans! It’s worth it in the end.

*EDIT JANUARY 28th, 2019*

To anyone looking to ballot for Arashi Tickets before their hiatus, please be aware that only fanclub members are allowed to ballot for the remaining shows in 2019 and only can ballot 1 time as the “companion” and 1 time as the “main balloter”, and each person has to be in the Arashi fanclub. This will make it extremely difficult for fans coming from overseas to see the concerts later in 2019.

To put it very simply, it is extremely hard to get tickets as a foreign fan living overseas. Even as a fan living in Japan (Japanese or foreign)  it can be hard to get tickets to a Johnny’s concert, as it is all up to the random balloting system, which no fan has any control over. You get lucky sometimes, and sometimes you don’t.

Though this is the case, not all hope is lost. With the help of other fans, it is totally possible to be able to go to a concert when you are in Japan, though it may take a lot of time and effort to find the tickets.

1. Join the fan club

The first way to get Johnnys tickets is to be living in Japan or have a friend living in Japan who can enter the Johnny’s fan club and properly ballot for you (or to be able to call for play guide tickets if they release tickets to the public, which sometimes they do not depending on the group and the tour). Even then, it is not guaranteed that you will get tickets. I have been living in Japan for almost 4 years, being in the fan club for the same amount of time,  and even when I ballot for tickets through the correct system through the fan club, I do not hit sometimes or only hit for 1 show. If I do not hit, I go to my twitter followers and ask around if people are giving up tickets for certain shows and buy the tickets from them at the regular price.

There is also apparently a “sponsor” program for the fan club, so that a fan that has a fan club in Japan can sponsor a person overseas. I do not know the details of this program, but I’ll save this for a time when I can properly research this and then report back at a later date.

*IMPORTANT NOTE: It is illegal and against the Johnny’s ticket policy to resell your tickets for an increased price. There are auction sites that people sell these tickets on for ridiculous prices, but they are illegal and you could get in trouble if it is found out that you bought from these auction sites, as well as actually getting kicked out of the concert if you make it to your seat and your seat has been blacklisted.  For this reason, I will not be mentioning these auction sites in this post, nor do I recommend to buy tickets for over the resale price.

Hearing all of this can be a bit overwhelming, and can seem a bit negative for foreign fans, but not all hope is lost. The next one is for those who do not live in Japan and who do not have anyone to enter the fan club for them (maybe not yet, at least).

2. Network with other fans

Social media is a powerful tool nowadays, and I also use it for myself when I do not hit for tickets. I have built a network of fans that I can reach out to for tickets when the time calls for it. Most of these fans are Japanese now, but for the foreign fans, a lot of foreigners living in Japan will give their tickets to a foreign fan. The first thing that I do when I have extra tickets is reach out to my foreign fan community first to see if anyone would like the tickets, in the event that I cannot go, because I know it is hard for them to get tickets themselves. With this being said, foreign fans must be aware of the fan manners, so someone that can understand the fan manners is also someone I will prioritize over others.

I advise you to not just become friends with fans that are in the same area, or the same culture as you, though for building a community near you and one that you can relate to with a similar culture, it is perfect. If your goal is to go to a concert, you will need a larger network than just that community. Now, when I say this it does not mean become friends with all of the foreign fans that live in Japan, or fans that have connections to travel to Japan a lot and see concerts a lot,  just for the sake of going to a concert later on. A lot of us fans that live in Japan love to share our experience with other fans coming to Japan or the concerts, but most of us have jobs and live normal lives here and fandom is just one part of that. We want to make real friends we can connect with, not just people wanting to help them get tickets and have no connection beyond that. So my best advice is to find the people you can connect with and stick with them, form a support network and help each other out with all the information that you can get about it. That’s the best way to go about it, I think.

*IMPORTANT NOTE: When a fan gives you their tickets to use, there are certain fan manners attached to the ticket. Personal information is written on the ticket, including name and fan club number, so please do not take a picture of the ticket and upload it to social media. Before I upload any pictures of my tickets to social media, I always hide my personal information in it so that people do not get it. This is also a way to get tickets and a fan club membership blacklisted for possible reselling tickets, so please do not chance it.

All in all, it is not easy to get tickets to a Johnnys concert, but it isn’t impossible. Just ask around and form a network, and though not guaranteed, it is not a 0% chance.

Why I Go To A Johnny’s Concert More Than One Time

The third week in March of 2015, I took the Shinkansen about 50 minutes to Nagoya to see NEWS LIVE TOUR 2015 WHITE. NEWS hadn’t toured in 2 years and it was hard not to feel the excitement inside and outside of Nippon Gaishi Hall, all the fans teeming in anticipation about what NEWS had in store for this tour. The actual concert itself was all-new, with many mistakes, as Nagoya was the fist stop on a 3 month long tour.

Fast-forward to the weekend after and my best friend Meghan and I are on our way to Sapporo, a 2-hour flight away from our home base of Kansai. The feeling of Sapporo was different than Nagoya, the venue being more intimate than other venues that I had been to with the members of NEWS themselves coming into the audience. The fans were very warm and inviting despite the cold weather of Sapporo and we made a new friend along the way!

A few months pass and finally NEWS comes to where I live in Osaka in early May. Since I had already been to this tour 3 times previously, and it was on my own stomping grounds, everything seemed very familiar. During the actual concert, you could tell the members were confortable with the set-list and the fans knew what to expect as well, as this was many fans’ multiple time seeing this concert as well.

When I tell people that I have traveled around the country to see my favorite Jpop group, many laugh in disbelief and/ or awe at how many times I have attended and the distance I have traveled just to see a group preform live. Every time this happens I think to myself how much I enjoyed attending and how I do not regret it at all. I often wonder why it seems strange to people the amount of times that I go and the distance that I travel to see these Johnny’s groups. To me, each show and each venue is a different experience, even if the set list is the same. Sometimes they even change the set list to fit the venue or the time of year (for example insert Christmas songs at a concert close to Christmas). Also, the gap between the beginning of a tour and the end of the tour and that evolution is very interesting to see as well. Johnny’s in particular tweaks things even between an afternoon and evening show. There is also a difference between arena venues and dome venues as well, arena venues being smaller and intimate, the artists coming directly into the crowd, and the domes being more elaborate performances complete with pyrotechnics, waterworks, lasers and huge moving stages.

For Johnny’s in particular, the MC’s also change each time. MC’s are the talk portion of the concert where the group takes a break and just talks to the audience about recent happenings or informing them of upcoming events. Each concert is different and you get a little bit more of an insight into the members themselves and the group dynamics. For somebody that is a fan, this is fascinating. As for myself, I enjoy getting to know the members as people and not as celebrities and during these concerts, little parts of their personalities pop out each time.

Last, but not least, it is about supporting the artists themselves. Sure I buy all the singles and a lot of memorabilia, but also going and supporting them in person is something that is important to me as well. Seeing a performance live and listening to it on a CD are two totally different experiences. Concerts are one of the only true times that the fans and the artists can meet face to face. Fans come together and support their group and create a bond that can’t be explained easily in words. You become friends online through the same bond and you finally get to meet in person at the concerts and share the same joy and excitement for seeing the group.

Going to a concert multiple times might seem crazy at first glance, but next time you speak with someone who does see the same show multiple times, maybe try to look beyond the surface and ask yourself if you have anything that you are passionate about that you would do or see multiple times.

Memories of Tegomass 4th Live “Tegomass no Seishun”

Tegomass no Seishun was the first tour I went to, and travelled around the country to see, since I started living in Japan. Previously, I had only been to the Kansai Area where I live, or Tokyo and occasionally Nagyoa, which is the closest venue to Kansai. For Tegomass no Seishun, I went to Fukuoka, Osaka, Nagoya, and Yokohama. Each venue was a different experience for me and I wanted to share some of those memories.

Osaka

Osaka was the first leg of the tour and I was able to hit for tickets, despite it being one of the smallest venues of the tour. I hit for the first day, second show so it was one of my first times going to the first day of any Johnny’s concert tour. The day before was presale goods, so I took the train out from Kyoto, where I had been living at the time, in the heavy snow and went to buy goods for me and some other friends. The fondest memory I had was this mother and her son in front of me in line and the boy was just chatting away about Massu the whole time.

The next day, one of my friends came down from Nagoya and we hung out before the show, being at the venue when the first show of the day got out. You could see everyone was in high spirits as they came out and I was so excited when they finally let us into the venue for the second show. I had no idea what the set list was going to be like, so during the concert I got excited when certain songs came on. The venue was so small, so we really could hear Massu and Tegoshi when they sang “Aoi Bench” with out any microphones. I cried at that song, and every other time I heard it when I went to the tour. My first impression of the concert tour was “Wow! Tegomass has grown so much!” I had been to the Mahou tour over 2 years ago, so it was almost like a “Hey! It’s been a while” and “Wow! Look how much we all have grown”.

Yokohama

I went home to America a few days after the Osaka venue for almost a month, and when I came back I was still on Spring break from my MBA program. My friend Rosie from Thailand and I had been planning a trip for this tour since it was announced, so after a brief trip to Hiroshima for sight seeing, I went to Yokohama and met up with Rosie. We were only able to go to 1 of the 4 shows, but this time was a different feeling because it was an arena venue, not a small hall like Osaka.

To be honest, Yokohama was not my favorite show because they seemed too focused on the technicalities versus showing the fans a good time. They were filming at the afternoon show I went to, but I believe that the evening show is what was actually put onto the DVD and the afternoon show was just a dress rehearsal for recording the night show. It was still an amazing show, but I think it was because the last show I had been to was in a small hall where they could give the fans more attention, it was a bit of a change to go to an Arena venue. When I go back and look at the DVD, they did an amazing job at filming this tour though! I am glad they filmed Yokohama.

Fukuoka

After the Yokohama venue, Rosie and I took the Shinkansen 5 hours from Tokyo to Hakata for the next part of the tour. This was my first time to Fukuoka, so I was excited to explore southern Japan a bit! It was the beginning of April, so the Cherry Blossoms had just bloomed in Fukuoka. It was quite warm for the beginning of April and the venue was right by the sea, so we were walking around the pier before the concert. It was so pretty!

My favorite memory was when we were standing around the side of the venue near the pier and we saw a group of girls gathered around looking towards the venue. They would like squeal every few minutes at something and Rosie, my other friend Monica and I, couldn’t figure out why. Eventually after a few times, we figured out it was a soccer ball that popped up every so often over the top of the venue wall. Everyone knows that Tegoshi plays soccer before the concerts, so we all assumed that it was him playing with a few people before the show. Eventually, the security guard began to shoo everyone away.

Fukuoka was my favorite leg of this tour. Tegomass were both in high spirits and the venue itself, Marine Messe Fukuoka, was big, but not huge. You had a good view of the stage and the layout from wherever you were sitting. We went to both days, the first day we were in the 10th row of the stands and the second show we were up towards the back of the stands on the second floor. In both seats you felt involved in the show!

Nagoya

A last minute decision spurred me to go to Nagoya, the last venue for the tour. Nagoya is only a 45 minute Shinkansen ride from Kyoto, so about a week previous, I decided to go, at the invitation of some of my friends who were also going. I met up with some amazing Tegomass/ NEWS fans and we talked for so long about the concert and everything that happened! I stayed at my friend’s place in Nagoya with her other friend and it was basically a whole slumber party in her small apartment with blankets everywhere on the floor! We talked until the late hours of the night and was one of my favorite concert memories to this date.

I ended up in the Arena right near the back stage, and Massu and Tegoshi both came close to me and were singing “Kiss kaeremichi no love song” in front of where I was. My favorite memories of this concert was Massu jumping down from the stage and handing a child one of the sign balls near the back stage.

“See you Next Live” appeared on the screen after the encore at every concert. In Nagoya it held an even more special meaning to me, because it marked the end of my first tour I had traveled for. Tegomass is my favorite concert to see live because of the live music and the band that backs them up. I can see them time and time again and never get bored becauase each time is totally different.

This tour I spent with such a variety of people and made so many memories. A concert is more than just seeing the group live, its connecting with fellow fans who love the same thing as you as well.

To Tegomass and all the people who I met back in February 2014 to April 2014, Thank you. It’s a tour I will never forget.

Johnny’s Talk – Concert Rules

The first time I went to a Johnny’s concert back in 2009, I had no idea about concert manners. I didn’t understand why people held these things with messages or people’s faces on them (later finding out they were called “Uchiwas”) and waved glow sticks in unison (called penlights) or why there were no photos allowed inside the venue. Over the years, I learned the concert manners and now understand why these things, and many others, happen. In this post, I will discuss some major concert rules and why they are there.

No Photography or Video allowed During the Concert or in the Venue.

The number one thing you will notice when you get in line for a Johnny’s concert is that they search your bag. During this check they ask you if you have a camera, the reason being you are not allowed to take pictures or videos during concerts. This is one of the biggest rules that might be a huge contrast to your own home country. In America, and many other countries, you are allowed to take video and pictures during a concert or inside the venue. In Japan for the most part you can’t, even for concerts outside Johnny’s. This doesn’t mean as a visitor to Japan and as a foreigner that this rule doesn’t apply to you though.

The reason for no pictures or videos during the concert or inside the venue is because they don’t want anything shared on social media or to be shared without their consent. This may seem constraining, but that is how the Japanese music industry works. In return, they usually release a DVD and official pictures. Another reason is etiquette, holding a camera up in the air the whole concert may mean blocking other people’s view around you. In some venues, cameras are also seen as a health and safety hazard.

Uchiwa Etiquette

Uchiwas are those things that fans hold with the member’s faces on it or a message written on it. In a concert in America, you are allowed to make signs or something to hold during a concert, but since they are too big, Japan uses Uchiwas to do the same thing. Now, these Uchiwas are not allowed to be held over your face or be more than the typical Uchiwa size. If you do not know the size of an uchiwa and want to make one, click here for the proper dimensions.

The reason that these rules are in place is because if you raise the Uchiwa over your head, it blocks the view of the person behind you and ruins the concert experience for them. This also goes for the amount of Uchiwas you hold at the same time. You are only allowed to hold 2 Uchiwas at a time in your hands, as it will block the person to the side and behind you from seeing properly.

Stay in your Assigned Seat

As a health and safety standard, as well as to keep things orderly and to protect the safety of the talents, stay in your assigned seat. Even if you are on the end of a row, don’t step out into the aisle. Also, don’t run to catch any streamers that are falling further away from your seat.

Listen to the Venue Staff

The staff members are in the venue for a reason, to help direct the audience and make sure everything is in order. You will see the staff members everywhere, and they will also be directing you to where to go and what to do. When you are in and around the venue, follow their instructions. They are the people holding the signs that tell you to take no pictures in the venue and also direct you if you need help. If they approach you about something, please be respectful and do what they say. The staff do not bother you if you aren’t doing something out of line. I am not perfect about this, and I have snapped at a staff member before, but also know that they are just doing their job.

I hope you guys have enjoyed this post and give it a like if you found it helpful! Please let me know in the comments below what you think and if you have any other things to add from your experience.

Album Review: NEWS – WHITE

NEWS-WHITE

NEWS “WHITE”, released on February 28th 2015, is NEW’s most recent album released a year and a half after their previous one. This time they used the theme of “white”, which has always been their “group color”. They also experimented with new sounds and new concepts, such as implementing a short film in the album. It topped the weekly charts, beating Acid Black Cherry.

The Songs

MR.WHITE

This is the title song of their album and also what their short film was based off of. I heard it on Koyama’s radio show K-chan news in the middle of February and I loved it the first time I heard it! This is a different type of sound compared to what NEWS has done in the past, with a “funk” vibe to it. I love the combination of the beat with the horns. The vocals are amazing and the key really suits their voices. When singing on music programs to promote the album, they always sung this song and you could see how confident they were with the concept through their performance.

KAGUYA

KAGUYA was NEWS’s most recent single that was released in January. It has a very “modern meets old” feel to it and is an “epic love song” that showed a more sensual side to NEWS. For a full review of this single, please click here to read my post about it.

NYARO

NYARO was originally released about a year ago, but only as a Bra commercial tie-up song for the brand Walcol. The fans have never heard the full version of this song, so it was great to finally hear it. It’s a very NEWS like “summery” song. It has a country feel to it with fiddle like sounds and country like guitar. Paired with the kind of dance beat in the background, I think it makes a new and interesting combination. The echo of “Nyaro” in the background in the chorus makes it such a fun and catchy song that get’s stuck in your head.

SEVEN COLORS

SEVEN COLORS was the theme song for the 2013 and 2014 FIFA Club World Cup and is personally my favorite of the three soccer songs that they have released. Since both times were in Morroco, it has a dance-electronic beat combined with African drums.  I like the uptempo-ness of the song combined and the variety of sounds.

Weather NEWS

Weather NEWS is probably the most news-like song out of this whole album to me. It’s a call and response song, very much like “4-Fan” was in their 2013 “NEWS” album. The whole concept of having a call and response song is such a fun concept to me and makes me feel involved in the concert and with the other fans as well. For the music, it’s a very simple song with simple lyrics, and it was a very nice surprise to have Shige do the rap part and not Massu, who had seemed to take on the rap parts since Yapami had left the group.

Super Sonic

NEWS normally has one “hard dance” song on their album, and Super Sonic was this album’s dance song. What makes it different than the other dance songs that they have done more of an electronic and dubstep feel to it, which seems to be a theme in Asian pop in general recently. When I first heard it, it sounded reminiscent of an Arashi song from their “Digitialian” album. It’s like a combination of a rock song and a dance song combined together and is probably my favorite dance song of theirs to date.

Black-Jack –Inter- and “BYAKUYA”

I combined these two together because one leads into another. Black Jack is an interlude or kind of intermission into the other part of the album, but more specifically into BYAKUYA. It’s a dubstep type song that you would probably hear in a club and somehow merges well together with the fantasy like sounds in BYAKUYA.

Now speaking of fantasy, BYAKUYA is an all out fantasy song, a cross between a pirate theme song, like out of Pirates of the Caribbean, and something out of Harry Potter or “Nightmare Before Christmas”. If you think about it, it also sounds like something that KAT-TUN would do, an epic song that has lots of “visuals”. There is so much going on in this song that you have to listen to it a few times to really hear everything. The first time I heard this song I felt a combination of “What is this epicness?” and “What did I just listen to?” because there was so much going on.

ONE –for the win-

One -for the win- was the 2014 FIFA World Cup theme song that member Tegoshi was also the main caster for.  This song has a more Latin feel to it, which really surprised me the first time I heard the song. This song is one of the songs that gets stuck in my head so easily because the chorus says all the names of the countries that participated in the 2014 FIFA World Cup.

White Love Story

Out of all of the songs on the album, this has to be the song that struck me the most. It is such a light and fluffy love song, but more specifically a wedding song. The lyrics are so sweet and the harmonization combined with the piano and the lyrics make me tear up every time I hear this song. This song personally showed me an evolution in NEWS, a maturity from the typical love song to something that was deeper in a sense. The lyrics talk about a man treasuring a woman so much and wanting to make her happy and protect her from now on. At one point the lyrics say “You are my Heroine”, it might seem sickly sweet to some people, but I think that it’s a beautiful song and a beautiful melody, which makes it on my top songs on this album.

Ai Kotoba 「愛言葉」

Ai Kotoba is the song that NEWS wrote themselves for their 10 Year Anniversary Event. NEWS has gone through a lot in the past 10 years, going from 9-8-6 and then to 4 members, so this was was a song dedicated to the fans and them coming this far as 4 members. It’s a very sweet song with a simple melody, but a deep meaning. It’s  a special song for the members, as well as the fans. When I heard it in the countdown this past year, I was crying so hard.

Solo Songs

Koyama Keiichiro – Romeo 2015 「ロメオ2015」

This was a song that Koyama and former NEWS member Nishikido Ryo did as a duet together in a concert a long time ago and Koyama decided to revamp it as his solo for this tour. It has a latin flair, but it is quite simple if you listen carefully. It is sexy in a subtle way and the vocals aren’t too harsh and it suits Koyama’s voice very nicely.

Masuda Takahisa – Skye Beautiful

The first time I heard this song I didn’t know what to think of it and I didn’t like it that much. I was very confused at the rhythm changes, going from soft and “mysterious” to hard dance club like music. I had to listen a second time before I actually understood the tempo changes and how it all flowed together, and then it became one of my top songs on the album.

Tegoshi Yuya – Anata 「あなた」

Coming from his solo last album/ tour “Lovin U”, this was a bit of a disappointment to me when I first listened to it. It was very simple love ballad compared to the previous two solo songs, really focusing on the voice more than anything. It was quite boring for a while, but once I listened to it a few times and felt the lyrics and the piano, I began to like it more.

Kato Shigeaki – Escort

Escort is my favorite of all of the solo songs this tour, just for the beat of the song combined with the lyrics. Shige wrote the lyrics of the song again this time, and I think he was trying to spin off of his previous solo “Dreamcatcher” with “flowery” lyrics again. I like the piano and “funk” kind of vibe to the song and it flows very nicely, although some of the English lyrics make me giggle every time I listen to it.

Overall impressions

This album was a new direction for NEWS, they experimented with some new styles of music, but you could still very much feel classic “NEWS” throughout. It showed a more mature side of NEWS in a way, an evolution almost. In particular, Byakuya and Black Jack –Intern- and Kaguya were a bit out of the ordinary for NEWS, but it gave them a more mature feel. My favorite songs were White Love Story and NYARO, along with Weather NEWS, which were the most “NEWS” like songs on the album, in my opinion.

I hope you enjoyed this review! What do you all think of NEWS “White” album? Please let me know what you think in the comments below and press the like button if you enjoyed this post.