[Johnnys 101] So You Have Begun to Stan A Johnnys Group – All the basics you need to know

So… you have begun to stan a Johnnys group. Welcome! It’s going to be a very sparkly and emotional ride, but let me give you some tips to help you start out.

This is a new series on my blog called “Johnny’s 101”, where I answer as much in depth about the infamous Japanese boyband agency Johnny’s and associates as I possibly can. As a bit of background, I have been a Johnnys fan for over 10 years now, and have also written my graduate school thesis on the business of Johnny’s. I don’t know everything (as Johnny’s can be mysterious in a lot of ways) but I hope I can give an insight into Johnny’s that you might not know yet.

But first… What is Johnnys?

Johnnys is an all-male talent agency founded in the 1960s by Johnny Kitagawa. The agency is mostly known for training boys (called Johnny’s Juniors) in different parts of the entertainment industry (singing, dancing, acting, etc.) from a young age by having them back dance for the debuted groups, seeing which ones are popular, and then debuting a select few. They aren’t just simply boybands but are involved in many different activities in the entertainment industry in Japan, such as television, movies, fashion, and even novel writing and newscasting. Some of the most popular groups that have come out of Johnnys are SMAP and Arashi.

Now with that out of the way, let’s get to today’s topic which is basics of the agency and the fandom that you should know as a new fan (and maybe a reminder or refresher for those OG fans out there!)

1. Johnny’s is extremely strict (as are the fans) and behind the times

Johnny’s hasn’t digitalized yet (even worse than the rest of Japan… which is saying something) which means there are no YouTube videos or digital music downloads. Hard copies only, my friends! They are super strict with what is uploaded to social media and media sites as well. Around 2014 or so is when they actually put their artist’s pictures on their OWN website and their fan club was super analog until about 2 years ago (hard copy tickets, paying via bank transfer and all) Shocker isn’t it? In my opinion, this is a huge barrier to growth for them, especially internationally. BUT! With that being said recently they have made some huge changes, like Johnny’s official shop goods being sold online within Japan, revamp of the online fan club system, and especially so with the juniors YouTube channel, which is promising. My question though: is it too slow? Let me know what you think!

As for the fans, concert manners and sharing media online is policed pretty strictly. This varies from group to group though, as each fan base has a different “culture” so to speak. An example of this is with my favorite group NEWS, concert spoilers during the tour are kinda a big no-no, as NEWS themselves said a few years back they prefer all the fans to be surprised, so…. you won’t see the set list and hardly any detailed spoilers until after the final show is finished. It’s not to “end game” level, but we protect from spoilers as much as possible. MC is perfectly fine to spoil so bring all the weird things they say!

2. Johnnys is based in Japan and caters mostly to a Japanese audience

Johnny’s is based in Japan and caters to Japanese fans within Japan. I see a lot of fans getting upset that Johnny’s doesn’t do much for international fans and say “Johnny’s hate international fans” but at this point in time with the current stage of the agency, I think these thoughts are misguided. I could make an entirely separate blog post about this (comment below if you want it!), but to sum it up the Japanese music industry is #2 in the world only after the United States. Because of this, Johnny’s can make enough money just within Japan no problem only catering to Japanese fans. Why should they spend the money to expand overseas when they dominate the Japanese market and make enough money anyway? Even fans inside of Japan have a hard time getting concert tickets even when they are in the fan club and the artists only have enough hours in a day, so how can they expand and think of going overseas when they are at capacity inside of Japan? If you think about it that way, you can see why Johnny’s wouldn’t want to cater to foreign fans, as they have their hands full inside of Japan already. Does this mean they shouldn’t share media outside of Japan? No, I think YouTube and social media is essential, but in terms of an international fan club and translating things into many languages, it’s not going to work for a long time and not a good choice business wise. They first need to get the digital infrastructure up and running in Japan first.

3. The Twitter community is probably the strongest to find fan friends (Japanese and foreign)and get the latest information.

Back in the day, LiveJournal used to be the community of choice but in the past 5 years or so that community has pretty much died and everyone is on Twitter. If you want to make fandom friends, make a twitter account and get started by talking with other fans! Japanese fans are also heavy users of Twitter (as Twitter is the dominant social media platform in Japan besides Instagram) so you can get almost any piece of information you need on there. For the most part, us fans are extremely friendly and are more than happy to point you in the direction of what you see looking for. Just be sure to respect the other fans and don’t assume that the way things are done in your country are done that way in Japan and in Johnny’s.

4. No Johnny’s talents have individual Twitter or Instagram accounts or even social media

Okay okay, there is 1 exception that literally happened when I was writing this, which is Yamapi! He was on Weibo, but then on May 16th, he made an Instagram, a Johnny’s first. In general, though, Johnnys do not have social media (including youtube… except the Junior’s channel I mentioned above!) and their “blogs”, called Jwebs, are behind a paywall and are only in Japanese. This poses an interesting dynamic, as the world has moved rapidly towards an era of social media and digital music downloads and streaming, in which Johnnys is pretty archaic. So, if you want to find any information about the group or see their music videos you will have to go on a hunt around the internet.

 

Did I miss anything? What information would you like as a new Johnnys fan or as an OG fan what advice would you give to new fans?

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6 Things to Organize and Store Your Johnny’s Goods

Becoming a fan or collector of anything raised the question of how exactly to your organize all of the goods accumulated from said activity. Johnny’s (and other idol groups) have many types of goods to collect with many different high and low end options to help you organize them. Over the years I have collected and used my fair share of these organization items, so here are 6 products to help organize and store your Johnny’s goods.

1. Ticket Holder

Johnnys has now started to go away from the paper ticketing system for some of their artists in favor of digital tickets, but there are still many shows that have paper tickets to collect. A regular photo album to store all of your tickets in is ideal, rather than spending money on an expensive “ticket holder”, and it works just as well. I have another post I wrote a while back where I talk about this particular item, so check it out HERE if you are interested!

2. Uchiwa Storage Box

Now, you might not think that this is revolutionary, but I am telling you that this has changed my storage game for all of my uchiwas – which used to be shoved into a drawer, laying flat and taking up too much space. This particular one is from a series of idol storage/ protective goods that the “3 Coins” shop (or 300 yen shop) produced in Japan a few years back. It was only supposed to be a limited run, but it was so popular that they brought it back permanently and added more to the line. This uchiwa box in particular I wanted because I needed a place to place my slightly too large uchiwa collection I’ve accumulated over the years. It can safely fit about 20 uchiwas inside and though it’s a bit flimsy at times, it does the job for 300 yen ($3 USD) and keeps your uchiwas tucked away together safely in one place.

3. Streamer Holder

Credit to Tower Records Japan

Credit to Tower Records Japan

This is the newest addition to my goods storage and another game changer for me. Over the years I had collected so many streamers from concerts that they also ended up in my “Johnnys goods drawer of doom and chaos”. One day while browsing in Tower Records with a friend, I spotted this and I was mind blown. I bought it right away and now my streamers are organized and the holder itself looks really pretty on my shelf… and also looks like I put effort into storing my Johnnys goods, instead of leaving a pile of them sitting at the back of aforementioned drawer.

You can also find this at the 300 yen store, but the one that I decided to buy was a bit pricer and from Tower Records for just over 1000 yen or $10 USD. It is sturdier than the 3 Coin store one and is magnetic to hold the opening shut.

4. Photo Album for Shop Photos

Shop photos are one of those staple items that all Johnnys fans eventually purchase. Over the years I have accumulated hundreds of photos and have organized them in these photo albums from the 100 yen store. I believe these particular ones are from CanDo, but any photo album of your choice will due! I personally don’t like inviting a ton of money into storage for shop photos, because I have a lot of them, so I just hop on over to the 100 yen store and get mine. LOFT and Tokyu Hands will also have them, but for a higher price point.

I personally organize mine by member and group, so I have individual albums for each member (for NEWS I buy all the photosets at the concert) and then I have a separate album for group photos. Feel free to organize yours however you please!

5. Glass Cup for Showcasing Penlights

Once again, going back that “Johnnys goods drawer of doom”, all of my penlights also used to be in there. After a while, I wanted to proudly display my favorite ones in my room to always look at, but I didn’t have a way to keep them standing up. So, I be-bopped my way over to the 100 yen store (more specifically Daiso) and saw they had so many options for mini cups that are the perfect size to place your penlights inside of them to stand them up. For my larger penlights, I have a bit larger glasses but for the most part they are the smallest glasses I could find there.

6. Binder for storing magazine scans

If you are an idol fan, you are probably buying magazines to read interviews with your favorite entertainers. Some people want to keep their magazines in restive condition, but after you buy them year after year, they start to pile up. After the first time I moved inside of Japan, I realized I had accumulated WAY too magazines over those 2 years and decided to cut them up and take out only the pages that I wanted to keep. It would reduce space in my apartment and make it easier to sift through all of the scans that I wanted. I am still not done, but I have accumulated a large amount of binders filled with magazine scans that I have cut out over the years. The magazines come in all different sizes, so I normally pick a normal size A4 binder with extra pocket refill, as well as an XL wide size binder meant for fashion magazines to make sure all of my bases are covered.  Below is the Rakuten link to the ones that I have bought, but you can also go to any stationary store, like LOFT or Tokyu Hands to buy it. I tend to buy in bulk when I buy them, so its cheaper to buy them on Rakuten. If you are not looking to buy over 1-2 of them, LOFT and Tokyu Hands is probably the best to buy them at. Make sure you don’t forget the re-fills for them! They only come with maybe 10 pockets inside.

A4-S Size Binder

Magazine Binder

This is an amazing way to organize all of your magazines without the extra room and weight attached!


What would you be interested in buying? Are there any other goods that you don’t know how organize or store? Let me know in the comments below!

Translation: “U R not alone” – NEWS

Translation for “U R not alone” by NEWS, on the NEVERLAND album.
Lyrics and music by GReeeeN.

拝啓あの日の僕へ
今はココで立っています
誰かに笑われた夢を
今もココで見続けてます

To the me of that day,
I am standing here now.
The dream that people laughed at,
I am still continuing to reach for.

時に見失いそうになって
時に全てをあきらめて
あせって望んでは傷ついた
僕の中の弱虫笑ってた
それでも(Hey) どこかで明日を
諦めてないから今日もまた
傷だらけ(Hey) のこの足で
なんとか立っている

Sometimes I almost lost sight of it,
Sometimes I gave up completely,
In my flustered desire, I kept getting hurt,
and the weakling inside me laughed.
Even so (hey!) I still haven’t given up that tomorrow,
so with these broken legs (hey) I will somehow keep standing.

例えばこの声が届くならば誰でもいい
聞こえますか 胸張ってさあ叫ぶんだ
全部詰め込んだこの宣誓を
僕は誓うよ 一切引かないし 一切負けない
自分で決めた道のうえ 全てをかけて
笑えるように やり抜くぞ

For example, if this voice could reach, would anyone listen?
I stick out my chest and shout,
and pack everything into this oath
I vow to never back down and never surrender.
I will risk everything for the path I chose.
To accomplish it so I can be able to smile.

あの頃の僕は負けそうに
なると誰かのせいにして逃げて
諦めた言い訳はそりゃ楽で
そうして僕はまた自分に負ける
それでも(Hey) 戦っている
そんな他人(ひと)はきっと他所(ほか)にいる
それでいいの?(Hey) 目指す場所へ
行くと決めたんだろう?

Back in those days when I was about to loose,
I blamed someone else for it and escaped.
It was easier to give excuses and give up,
And thus I kept on loosing to myself.
Even so (hey!) I am still fighting on.
There are surely other people who are like that too.
Is that really okay though? (hey!)
You decided to go that place you aimed for, didn’t you?

確かな答えは 何処にもないから
探すんだ 恐れないでその足で迷っていい
何度も諦めるかって言えばいい
今までの超えた日々が僕らにはあるじゃないか
だからこそココに吹いてる
向かい風にホラ立ち向かう

There is no correct answer anywhere
So you have to search for it. It’s okay to be afraid and get lost on the way
It’s okay to say “I’ll give up” many times
Haven’t we already gone through everyday until now?
Because of this, we will face the headwind that’s blowing here.

あの日つまずいて
しゃがみこんでしまうほどの痛みさえ
わきだして かけだして
助走に変えて いけるように

On that day that I stumbled
The pain that left me doubled over on all fours
Spring up, start running
Change it into an approach run in order to live

ああどうか 力を貸してくれないか
昨日までの僕よ 共に乗り越えてきたじゃないか
僕は誓うよ 一切引かないし 一切負けない
生まれた日から今日までの 僕が見てる
明日もそう
少しずつ前へ not alone

Ah, could you please assist me somehow,
The me up until yesterday? We overcame this together, didn’t we?
I vow to never stand down and never surrender
The me from the day I was born until now is watching
Tomorrow as well
Moving forward bit by bit, not alone


Translators note:

“U R not alone” sung by NEWS from their Neverland album was one of the hardest things that I have translated from Japanese to English because I really wanted to give justice to this song. I don’t think I fully did because of my own language skills and I feel like English doesn’t even come close to being able to convey the meaning of the song, but I wanted to give the fans who can’t understand Japanese just a bit of an idea of the deep meaning the song has. I will always be grateful to  have heard this song live and have heard the rawness of NEWS’s voices when they sang it. It is so relatable to me, and to everyone I think, as everyone struggles with things in their life and want to give up at some point. It made me cry so hard in Sapporo and I had to hold back crying when I saw it in Nagoya with my boyfriend (as I would have been totally embarrassing, right?).

The beginning of the song when it says:

” To the me of that day,
I am standing here now.
The dream that people laughed at,
I am still continuing to reach for.”

I really feel that it’s so true. Sometimes I felt like my dream of moving to Japan and creating a life here was laughed at sometimes, but I’m still here and continuing to live that dream. The oath in the song about not backing down or surrendering is something that after I heard this song, I vowed to myself that I will give everything I have and never give up, even if I am doubled over in pain and want to give up. I hope that everyone that listens to this song will feel the same way and receive that power, just like it did for me.

I am still actively learning Japanese and I am not a professional translator, so if I translated something wrong or want an explanation on why I translated it the way I did, please comment below! 

Interview With Multiplatinum Songwriter Jovette Rivera| nihonchique

Most people who follow me on social media and my blog know that I am obsessed with Johnnys. It’s not just the idols themselves I am interested in, but the business behind it as well, which includes the songwriters themselves.

Back in July, I had the opportunity to sit down with multiplatinum Jpop songwriter Jovette Rivera and interview him all about his career and what it is like to work in the Japanese entertainment industry, as he does more than just songwriting. He has written song for some of Japan’s top artists, including Johnnys groups like KAT-TUN, Sexy Zone, Kis-my-ft2 and more. He gave some amazing insight into the Japanese entertainment industry and his whole story was so fascinating to me, especially that he is a  self-taught songwriter.

If you would like more insight into the Japanese entertainment industry and learn about an amazingly talented interview,  head on over to the website I work for Izanau for the two part interview that I conducted with Jovette.

Part 1: https://izanau.com/article/jovette-interview

Part 2: https://izanau.com/article/jovette-interview-2

If you would like to check out more details about Jovette, head on over to his twitter and his company website, Royal Kingdom Music.

24Hour Television 39 – NEWS Showers Japan with Love!

The last weekend of August, Nippon TV hosted their 39th annual 24 Hour Television marathon. This year in particular I was very interested because my favorite Japanese idol group NEWS was the main personality this year! They had hosted the television program back in 2009 when they were 6 members, when Yamashita Tomohisa and Nishikido Ryo were still in the group. While I did not watch the early morning hours of the show, I watched most of it and I was really impressed at how they handled everything. You could really tell how they had grown in the 7 years since they had hosted their first 24Hour TV.

I think the thing that impressed me most was how the entire 24Hour staff, including NEWS, handled the scandal regarding Takahata Yuta. Takahata was chosen as one of the 24Hour TV personalities, and a few days before it started he was arrested for sexual assault of a female hotel employee. Everything with his face on it regarding 24Hour TV with removed in hours, including his appearance in the special 24Hour TV drama “Blind Teacher Yoshinori”, that NEWS member Kato Shigeaki starred in. The next day, it was announced that they would be re-filming the parts that he was in and NEWS member Koyama would be taking his place as the rehab employee. The effort that everyone has put into the refilling and rearranging the schedule really impressed me.

I want to thank NEWS and the staff for putting on an amazing 24Hour Television this year! I was moved and NEWS’s “Member Ai” really showed

Also, if you want to read more about my thoughts on this year’s 24Hour TV, head over to the website I work for Izanau and read this article here!

Why I am a proud “Johnny’s Otaku”

This post is a reaction post to the Otaku post on Tofugu. I know this post mostly covers anime otaku, but I thought it was a good article to describe Otaku culture in general.

A few months back, I was invited out to lunch by a co-worker at the last minute. We mostly talked about happenings in the office and somehow the subject of me going to a concert in Tokyo dome recently came up. I told her “Yes, I am a huge fan of Johnny’s” and I explained how I go to many concerts in the same tour, especially for NEWS. The topic of my MBA thesis also came up from this, which was the business of Johnnys and if/how they could go overseas. I was proud to tell her all of this and at the end she told me “You really do not look like the type that would be into something like Johnny’s”

If you had asked me about this a few years back, I would not have had the same opinion at all. In fact, I used to hate the word “Otaku”, especially “Johnny’s Otaku”. In America, the word “Otaku” comes from being a huge anime fan or loving Japan, and to me it was on the same level as “Weaboo”…. basically “crazy Japan lover”. So, Johnny’s Otaku basically meant “Crazy Johnny’s fan” to me. I don’t dress up for Johnny’s concerts (I prefer to go in regular clothes…. I already stand out being foreign) , I don’t go out to the store and buy the CD’s anymore (once I began my career I began to order the CD’s online because they got to you just as fast as if you went to the store here in Japan and I don’t have to rush out of work), I don’t want to marry any Johnnys guys or even be in a romantic relationship with any of them, and my whole life does not revolve around a concert tour.  What I DO do though is I buy all of NEWS’s CD and DVD releases religiously, I follow all of the information online of all of the Johnnys groups and know basically what is going on in the agency as a whole, I watch the TV shows when I am home, and I go to many different Johnny’s concerts. Even with just simply “Otaku” tacked on as a title, I am not anti-social and I do not just have Johnny’s as my only interest. I also consider myself a part of the fandom, though I support my favorites and the agency as a whole in my own way. I balance my fandom life with my career and my other interests, such as traveling and fashion.

So, why would I still be considered a “Johnny’s Otaku” if I don’t do a lot of the conventional things that I consider being a “Crazy Johnny’s fan?” or “Otaku” in general? Well, I am still involved in the fandom. I might dip my feet in on my own terms, but I still interact with other fans and some of my best friends I have made out of our mutual love for Johnny’s. I also know a lot more information than the conventional person would about the groups and the inter-working of the agency because I am naturally curious about the things that interest me and it was my research/thesis topic for my MBA program. I get told quite a lot “Wow! You know more information about Johnnys than me and I am even Japanese!”. This knowledge of information and interaction in the fandom is what I believe makes me a “Johnny’s Otaku”. You don’t even have to be in the fandom to be an Otaku because fundamentally you can just know a lot of information and still be a fan. There is nothing that says you have to interact with other fans and buy the goods to be an Otaku. In fact, I have heard stories of people actually hiding that they are a Johnny’s fan and do not buy goods or items at all, but still follow everything religiously and go to concerts….They still take possession of what they love and make it into their own.

In the post by Tofugu, they say “Otaku take possession of what they love and make it their own…..this possession is the result of remixing the source material and contributing it to the community” I love Johnny’s and I take possession of that and make it my own by writing an MBA thesis on it, and by choosing what I want to consume. To someone else, this could mean fan fiction, creating cosplay for concerts, making Uchiwas, creating a copy group and more. The post by Tofugu continues on to say, with a quote from Tamaki Saitou“(Otaku are) not just fans, but connoisseurs, critics, and authors themselves. This blurring of the distinction between producer and consumer is another characteristic of the otaku.” I love Johnny’s, but I am also very critical about the agency and it is a reason I chose to research it and made it into my MBA thesis and why I dabble in fandom on my own terms. Everyone has their own way that they do this in and no way is wrong, as long as it is considerate of the unspoken and spoken fan concert manners, as these types of manners all fandoms have.

I suppose to sum it up: To me, being an Otaku means supporting your interest (wether it be anime, video games, boybands etc.) in whatever way suits YOU and YOUR lifestyle best. I am a proud Johnny’s Otaku and I do not see that changing anytime soon.

How To Get Tickets To A Johnny’s Concert As An Overseas Fan

In the past year or so, a lot of people have commented on my post about joining the Johnnys fan club, asking how they could get tickets as a foreign fan and to be honest, I really wasn’t sure how to answer them, as there is no simple way to go about it.

*EDIT OCTOBER 1, 2018*

As a forward to this article, due to the amount of comments I get on this post, I want to emphasize that I am unable to help people to get tickets to Johnny’s concerts personally. I wrote this article as a guide for fans, not as a way to contact me about tickets. I would like you to take this article as a guide on how to find long term success in getting tickets, not as a quick fix. Have fun making long term friendships with other fans! It’s worth it in the end.

*EDIT JANUARY 28th, 2019*

To anyone looking to ballot for Arashi Tickets before their hiatus, please be aware that only fanclub members are allowed to ballot for the remaining shows in 2019 and only can ballot 1 time as the “companion” and 1 time as the “main balloter”, and each person has to be in the Arashi fanclub. This will make it extremely difficult for fans coming from overseas to see the concerts later in 2019.

To put it very simply, it is extremely hard to get tickets as a foreign fan living overseas. Even as a fan living in Japan (Japanese or foreign)  it can be hard to get tickets to a Johnny’s concert, as it is all up to the random balloting system, which no fan has any control over. You get lucky sometimes, and sometimes you don’t.

Though this is the case, not all hope is lost. With the help of other fans, it is totally possible to be able to go to a concert when you are in Japan, though it may take a lot of time and effort to find the tickets.

1. Join the fan club

The first way to get Johnnys tickets is to be living in Japan or have a friend living in Japan who can enter the Johnny’s fan club and properly ballot for you (or to be able to call for play guide tickets if they release tickets to the public, which sometimes they do not depending on the group and the tour). Even then, it is not guaranteed that you will get tickets. I have been living in Japan for almost 4 years, being in the fan club for the same amount of time,  and even when I ballot for tickets through the correct system through the fan club, I do not hit sometimes or only hit for 1 show. If I do not hit, I go to my twitter followers and ask around if people are giving up tickets for certain shows and buy the tickets from them at the regular price.

There is also apparently a “sponsor” program for the fan club, so that a fan that has a fan club in Japan can sponsor a person overseas. I do not know the details of this program, but I’ll save this for a time when I can properly research this and then report back at a later date.

*IMPORTANT NOTE: It is illegal and against the Johnny’s ticket policy to resell your tickets for an increased price. There are auction sites that people sell these tickets on for ridiculous prices, but they are illegal and you could get in trouble if it is found out that you bought from these auction sites, as well as actually getting kicked out of the concert if you make it to your seat and your seat has been blacklisted.  For this reason, I will not be mentioning these auction sites in this post, nor do I recommend to buy tickets for over the resale price.

Hearing all of this can be a bit overwhelming, and can seem a bit negative for foreign fans, but not all hope is lost. The next one is for those who do not live in Japan and who do not have anyone to enter the fan club for them (maybe not yet, at least).

2. Network with other fans

Social media is a powerful tool nowadays, and I also use it for myself when I do not hit for tickets. I have built a network of fans that I can reach out to for tickets when the time calls for it. Most of these fans are Japanese now, but for the foreign fans, a lot of foreigners living in Japan will give their tickets to a foreign fan. The first thing that I do when I have extra tickets is reach out to my foreign fan community first to see if anyone would like the tickets, in the event that I cannot go, because I know it is hard for them to get tickets themselves. With this being said, foreign fans must be aware of the fan manners, so someone that can understand the fan manners is also someone I will prioritize over others.

I advise you to not just become friends with fans that are in the same area, or the same culture as you, though for building a community near you and one that you can relate to with a similar culture, it is perfect. If your goal is to go to a concert, you will need a larger network than just that community. Now, when I say this it does not mean become friends with all of the foreign fans that live in Japan, or fans that have connections to travel to Japan a lot and see concerts a lot,  just for the sake of going to a concert later on. A lot of us fans that live in Japan love to share our experience with other fans coming to Japan or the concerts, but most of us have jobs and live normal lives here and fandom is just one part of that. We want to make real friends we can connect with, not just people wanting to help them get tickets and have no connection beyond that. So my best advice is to find the people you can connect with and stick with them, form a support network and help each other out with all the information that you can get about it. That’s the best way to go about it, I think.

*IMPORTANT NOTE: When a fan gives you their tickets to use, there are certain fan manners attached to the ticket. Personal information is written on the ticket, including name and fan club number, so please do not take a picture of the ticket and upload it to social media. Before I upload any pictures of my tickets to social media, I always hide my personal information in it so that people do not get it. This is also a way to get tickets and a fan club membership blacklisted for possible reselling tickets, so please do not chance it.

All in all, it is not easy to get tickets to a Johnnys concert, but it isn’t impossible. Just ask around and form a network, and though not guaranteed, it is not a 0% chance.